/page/2

Samir Odeh-Tamimi: Jabsurr (2009)

für Violoncello und Klavier. (Dirk Wietheger, violoncelle / Ulrich Löffler, piano)

Kate Soper: Door (2007)

For voice, flute, saxophon, electric guitar and accordion. (Erin Lesser, flute / Alex Mincek, saxophone / Eric Wubbels, accordion / Matt Hough, electric guitar / Kate Soper, voice)

Text by Martha Collins

Lukáš Borzík: Ask the Mirror (2006)

For chamber ensemble. (Ensemble Reconsil Wien / Roland Freisitzer, conductor)

Ivan Fedele: Erinni

(1998) pour cymbalum, piano et vibraphone (Luigi Gaggero, cymbalum / Michèle Renouf, piano / Emmanuel Séjourné, vibraphone)

http://brahms.ircam.fr/ivan-fedele
http://www.cirm-manca.org/fiche-artis…
http://fr.wikipedia.org/wiki/Ivan_Fedele

Image: TODAY (d’après “Les Remords d’Oreste” de W. A. Bouguereau)

Pascal Dusapin: ici

(1986) pour flûte en ut (Cécile Daroux, flûte)

http://brahms.ircam.fr/pascal-dusapin
http://fr.wikipedia.org/wiki/Pascal_D…

Dániel Péter Biró: Piutim

(1997) für Orgel und Perkussion.
(Olaf Tzschoppe, Schlagzeug / Zsigmond Szathmáry, Orgel)

http://people.finearts.uvic.ca/~dpbiro/
edition zeitklang records http://p102618.typo3server.info/24.0….
Image: 1 point + 4

Michael Sterling Smith: L’appel du Vide

"L’appel du Vide" for solo alto saxophone.

2D2N International Festival 2014

26-27 April 2014, Odessa, Ukraine 

Internationale Ensemble Modern Akademie: 2. Komponistenstudio 2014

SHE LIVES incontra l'Ungheria

help this wonderful project?
 

reapergrellsutcliff:

Some photos I took of the lunar eclipse tonight, before I got too cold and had to go back inside.

Samir Odeh-Tamimi: Jabsurr (2009)

für Violoncello und Klavier. (Dirk Wietheger, violoncelle / Ulrich Löffler, piano)

Kate Soper: Door (2007)

For voice, flute, saxophon, electric guitar and accordion. (Erin Lesser, flute / Alex Mincek, saxophone / Eric Wubbels, accordion / Matt Hough, electric guitar / Kate Soper, voice)

Text by Martha Collins

Lukáš Borzík: Ask the Mirror (2006)

For chamber ensemble. (Ensemble Reconsil Wien / Roland Freisitzer, conductor)

Ivan Fedele: Erinni

(1998) pour cymbalum, piano et vibraphone (Luigi Gaggero, cymbalum / Michèle Renouf, piano / Emmanuel Séjourné, vibraphone)

http://brahms.ircam.fr/ivan-fedele
http://www.cirm-manca.org/fiche-artis…
http://fr.wikipedia.org/wiki/Ivan_Fedele

Image: TODAY (d’après “Les Remords d’Oreste” de W. A. Bouguereau)

Pascal Dusapin: ici

(1986) pour flûte en ut (Cécile Daroux, flûte)

http://brahms.ircam.fr/pascal-dusapin
http://fr.wikipedia.org/wiki/Pascal_D…

Dániel Péter Biró: Piutim

(1997) für Orgel und Perkussion.
(Olaf Tzschoppe, Schlagzeug / Zsigmond Szathmáry, Orgel)

http://people.finearts.uvic.ca/~dpbiro/
edition zeitklang records http://p102618.typo3server.info/24.0….
Image: 1 point + 4

Michael Sterling Smith: L’appel du Vide

"L’appel du Vide" for solo alto saxophone.

2D2N International Festival 2014

26-27 April 2014, Odessa, Ukraine 

Internationale Ensemble Modern Akademie: 2. Komponistenstudio 2014

SHE LIVES incontra l'Ungheria

help this wonderful project?
 

reapergrellsutcliff:

Some photos I took of the lunar eclipse tonight, before I got too cold and had to go back inside.

(Source: vegasbride)

About:

CCMD (Contemporary Classical Music Database)

Leading & Colorful Initiative Embracing European Contemporary Art Music Scene
_________________________________________________________________________

"Nearly three years ago, I have started to share materials on Tumblr entitled as "on my way." through my fractious and coincidental interest on modern and contemporary classical music including composers, acoustic and electroacoustic works, ensembles, scores, recordings, related videos, festivals and interdisciplinary art events to which I give attention.

My main goal is to increase the accessibility of the contemporary classical music contents for students, music theorists, musicologists and the explorers who are curious about the subject.

According to the huge egos behind the topic, most people related to the discipline really don't like to help and share their knowledge and materials with you, as I realized during my undergraduate studies.

Although the ethics behind sharing "somebody's work" on the internet without "permission" is highly debatable, my point is doing so, especially the people who live in a non-European country and are unable to have the chance to be live audiences and access to the works easily. I hope that the composers and musicians behind the works would understand my excuse.

If you click on the "Archive" link on the right top side, you can easily reach to the whole frame.

The database is sweetened/combined with some photography, street art, ambient, noise, IDM and free jazz without the "serious" contemporary art contents.

And, finally I should explain that some of the videos embed from "Youtube" or "Vimeo" might be deleted from the accounts because of "Copyright Infringment" or individually."

― Cem Özçelik
_________________________________________________________________________

DIRECTIONS

1. http://ccmd.eu/ is the official website of the project as you could reach to the archive through the link: http://ccmd.eu/archive/

And, you are welcome to the Facebook page of "ccmd.eu" for further/detailed shares that you could reach through the link: http://facebook.com/ccmd.eu

2. http://www.vimeo.com/channels/ccmd is the link of another video channel of ccmd on Vimeo.

3. http://soundcloud.com/groups/ccmd-eu is the link of another group for contemporary classical music composers on the SoundCloud to put into the DropBox for introducing your works.