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Bendigo International Festival of Exploratory Music: 5-7 September 2014

http://fancymusic.ru/vladimir-rannev-two-acts/

Singers

Hamlet: Gunnar Brandt-Sigurdsson
Faust: Reiner Killius
Soul / Spirit: Natalia Pschenitschnikova

Ensemble Mosaik

Flute: Bettina Junge
Oboe: Simon Strasse
Clarinet: Christian Vogel
Saxophone: Martin Losert
Piano: Ernst Surberg
Percussion: Roland Neffe
Violin: Khatchatur Kanayan
Viola: Karen Lorenz
Cello: Mathis Mayr

Conductor: Enno Poppe

__

Vladimir Rannev: “Characters from the history of culture often appear as protagonists with Dmitry Alexandrovich Prigov. Here we have Hamlet and Faust. Prigov acknowledges them as two types of reflexing consciousness, deeply rooted in European culture. Yet here the reflection does not have the same intensity as the primary source, rather only the inertia of fading motion. They are not to be mistaken for heroes – they are ordinary, and even marginal; their reflections are awkward and out of place. The sad truth is that contemporaneity sets a framework which does not allow these characters to live up to their destinies. The rules of life are not in discord with the pathos of “lofty thoughts”, but fully compatible with this pathos as a prop of behavioural routine, a mere unobtrusive habit. Today they are the rustling whisper of language, nothing more than that.”

http://fancymusic.ru/vladimir-rannev-two-acts/

Singers

Hamlet: Gunnar Brandt-Sigurdsson
Faust: Reiner Killius
Soul / Spirit: Natalia Pschenitschnikova

Ensemble Mosaik

Flute: Bettina Junge
Oboe: Simon Strasse
Clarinet: Christian Vogel
Saxophone: Martin Losert
Piano: Ernst Surberg
Percussion: Roland Neffe
Violin: Khatchatur Kanayan
Viola: Karen Lorenz
Cello: Mathis Mayr

Conductor: Enno Poppe

__

Vladimir Rannev: “Characters from the history of culture often appear as protagonists with Dmitry Alexandrovich Prigov. Here we have Hamlet and Faust. Prigov acknowledges them as two types of reflexing consciousness, deeply rooted in European culture. Yet here the reflection does not have the same intensity as the primary source, rather only the inertia of fading motion. They are not to be mistaken for heroes – they are ordinary, and even marginal; their reflections are awkward and out of place. The sad truth is that contemporaneity sets a framework which does not allow these characters to live up to their destinies. The rules of life are not in discord with the pathos of “lofty thoughts”, but fully compatible with this pathos as a prop of behavioural routine, a mere unobtrusive habit. Today they are the rustling whisper of language, nothing more than that.”

Ankunft: Neue Musik

Yiğit Kolat: Tülbend

For large ensemble and solo ney.

Nieuw Ensemble

Michalis Cholevas - ney
Jussi Jaatinen - conductor

http://www.yigitkolat.com/
https://soundcloud.com/ykolat

http://michalischolevas.com/
http://www.nieuw-ensemble.nl/home.html

Tymoteusz Witczak: Cztery Jesienne Haiku

For soprano, flute and violoncello.

Marta Kowalczuk - soprano
Monika Winczewska - flute
Monika Kowalczuk - violoncello


Germán Alonso: so f**king easy

For bass clarinet, horn, trumpet, trombone, percussion, contrabass and conductor.

Le Nouvel Ensemble Moderne
Lorraine Vaillancourt, conductor

http://www.german-alonso.com/
https://soundcloud.com/german_alonso

http://lenem.ca/

Stylianos Dimou: Quando l’an[I]ma è [S]atu[R]a: meaningless meandering for [Anit]

For violin, cello and piano.

Ian Mikyska: Romanzas Cortas en Una Lengua Privada

for viola and cello.

Miguel Ángel Rodríguez Olivera - viola
Andrew Power - cello

http://www.ianmikyska.com/
https://soundcloud.com/ian-mikyska

Carola Bauckholt: Luftwurzeln

(1993) für Flöte, Klarinette, Viola und Violoncello

Thürmchen Ensemble: Normisa Pereira da Silva, flöte / Diego Montes, klarinette / Ellen Ruth Rose, viola / Caspar Johannes Walter, violoncello

http://www.carolabauckholt.de/Carola_…
http://en.wikipedia.org/wiki/Carola_B…
http://brahms.ircam.fr/carola-bauckholt
http://www.thuermchen.de/ENSEMBLE/
http://www.wergo.de/shop/en_UK/produc…

(Image)s : 気根 - P. (S) Ivanejev

Kevin Volans: Notes d’’un Peintre

(1987) for String Quartet

Aitzol & Iokine Iturriagagoitia, violinen • Katia Stodtmeier, viola • Rebekka Riedel, violoncello

Bertold Hummel: Fünf Aspekte, op. 88d

(1991) für Schlagzeuger (Edgar Guggels)

http://www.bertoldhummel.de/
http://de.wikipedia.org/wiki/Bertold_…
Image(s): P. (S) Ivanejev, 14 aspects de 53” de “Nature morte à la loupe et au mouchoir”

Wim Henderickx: Nostalgia - Atlas Ensemble

Performed at Muziekgebouw aan het IJ in Amsterdam on 31 August 2012, during the Atlas Festival. 

Wim Henderickx: Nostalgia

For 7 western instruments; performed by Z V E Z D O L I K I ensemble under the conduction of Wim Henderickx.

Oriana Dierinck, alto flute  

Dimitri Mestdag, english horn

Raf de Keninck, clarinet

Paulina Sokolowska, violin

Katelijne Onsia, viola

Elke Wynants, cello

Nicolas Callot, piano

Live recording  on 19.02.2012 at Zaal 7, Berchem by www.onomatopee.be.

Bendigo International Festival of Exploratory Music: 5-7 September 2014

http://fancymusic.ru/vladimir-rannev-two-acts/

Singers

Hamlet: Gunnar Brandt-Sigurdsson
Faust: Reiner Killius
Soul / Spirit: Natalia Pschenitschnikova

Ensemble Mosaik

Flute: Bettina Junge
Oboe: Simon Strasse
Clarinet: Christian Vogel
Saxophone: Martin Losert
Piano: Ernst Surberg
Percussion: Roland Neffe
Violin: Khatchatur Kanayan
Viola: Karen Lorenz
Cello: Mathis Mayr

Conductor: Enno Poppe

__

Vladimir Rannev: “Characters from the history of culture often appear as protagonists with Dmitry Alexandrovich Prigov. Here we have Hamlet and Faust. Prigov acknowledges them as two types of reflexing consciousness, deeply rooted in European culture. Yet here the reflection does not have the same intensity as the primary source, rather only the inertia of fading motion. They are not to be mistaken for heroes – they are ordinary, and even marginal; their reflections are awkward and out of place. The sad truth is that contemporaneity sets a framework which does not allow these characters to live up to their destinies. The rules of life are not in discord with the pathos of “lofty thoughts”, but fully compatible with this pathos as a prop of behavioural routine, a mere unobtrusive habit. Today they are the rustling whisper of language, nothing more than that.”

http://fancymusic.ru/vladimir-rannev-two-acts/

Singers

Hamlet: Gunnar Brandt-Sigurdsson
Faust: Reiner Killius
Soul / Spirit: Natalia Pschenitschnikova

Ensemble Mosaik

Flute: Bettina Junge
Oboe: Simon Strasse
Clarinet: Christian Vogel
Saxophone: Martin Losert
Piano: Ernst Surberg
Percussion: Roland Neffe
Violin: Khatchatur Kanayan
Viola: Karen Lorenz
Cello: Mathis Mayr

Conductor: Enno Poppe

__

Vladimir Rannev: “Characters from the history of culture often appear as protagonists with Dmitry Alexandrovich Prigov. Here we have Hamlet and Faust. Prigov acknowledges them as two types of reflexing consciousness, deeply rooted in European culture. Yet here the reflection does not have the same intensity as the primary source, rather only the inertia of fading motion. They are not to be mistaken for heroes – they are ordinary, and even marginal; their reflections are awkward and out of place. The sad truth is that contemporaneity sets a framework which does not allow these characters to live up to their destinies. The rules of life are not in discord with the pathos of “lofty thoughts”, but fully compatible with this pathos as a prop of behavioural routine, a mere unobtrusive habit. Today they are the rustling whisper of language, nothing more than that.”

Ankunft: Neue Musik

Yiğit Kolat: Tülbend

For large ensemble and solo ney.

Nieuw Ensemble

Michalis Cholevas - ney
Jussi Jaatinen - conductor

http://www.yigitkolat.com/
https://soundcloud.com/ykolat

http://michalischolevas.com/
http://www.nieuw-ensemble.nl/home.html

Tymoteusz Witczak: Cztery Jesienne Haiku

For soprano, flute and violoncello.

Marta Kowalczuk - soprano
Monika Winczewska - flute
Monika Kowalczuk - violoncello


Germán Alonso: so f**king easy

For bass clarinet, horn, trumpet, trombone, percussion, contrabass and conductor.

Le Nouvel Ensemble Moderne
Lorraine Vaillancourt, conductor

http://www.german-alonso.com/
https://soundcloud.com/german_alonso

http://lenem.ca/

Stylianos Dimou: Quando l’an[I]ma è [S]atu[R]a: meaningless meandering for [Anit]

For violin, cello and piano.

Ian Mikyska: Romanzas Cortas en Una Lengua Privada

for viola and cello.

Miguel Ángel Rodríguez Olivera - viola
Andrew Power - cello

http://www.ianmikyska.com/
https://soundcloud.com/ian-mikyska

Carola Bauckholt: Luftwurzeln

(1993) für Flöte, Klarinette, Viola und Violoncello

Thürmchen Ensemble: Normisa Pereira da Silva, flöte / Diego Montes, klarinette / Ellen Ruth Rose, viola / Caspar Johannes Walter, violoncello

http://www.carolabauckholt.de/Carola_…
http://en.wikipedia.org/wiki/Carola_B…
http://brahms.ircam.fr/carola-bauckholt
http://www.thuermchen.de/ENSEMBLE/
http://www.wergo.de/shop/en_UK/produc…

(Image)s : 気根 - P. (S) Ivanejev

Kevin Volans: Notes d’’un Peintre

(1987) for String Quartet

Aitzol & Iokine Iturriagagoitia, violinen • Katia Stodtmeier, viola • Rebekka Riedel, violoncello

Bertold Hummel: Fünf Aspekte, op. 88d

(1991) für Schlagzeuger (Edgar Guggels)

http://www.bertoldhummel.de/
http://de.wikipedia.org/wiki/Bertold_…
Image(s): P. (S) Ivanejev, 14 aspects de 53” de “Nature morte à la loupe et au mouchoir”

Wim Henderickx: Nostalgia - Atlas Ensemble

Performed at Muziekgebouw aan het IJ in Amsterdam on 31 August 2012, during the Atlas Festival. 

Wim Henderickx: Nostalgia

For 7 western instruments; performed by Z V E Z D O L I K I ensemble under the conduction of Wim Henderickx.

Oriana Dierinck, alto flute  

Dimitri Mestdag, english horn

Raf de Keninck, clarinet

Paulina Sokolowska, violin

Katelijne Onsia, viola

Elke Wynants, cello

Nicolas Callot, piano

Live recording  on 19.02.2012 at Zaal 7, Berchem by www.onomatopee.be.

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Leading & Colorful Initiative Embracing European Contemporary Art Music Scene

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